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As sound waves hit the diaphragm, it vibrates, moving closer and further away from the backplate.

Some models, such as the RØDE PodMic and Procaster, also offer extra features like an internal pop filter for managing plosives and internal shockmounting for reducing vibrations in the microphone caused by knocks and bumps – both very useful for gaming and streaming scenarios.Ĭondenser microphones consist of a diaphragm placed very close to an electrically charged backplate, which together act as a capacitor. Dynamic mics can also reliably handle higher sound levels much better than their condenser brethren, which means you can be a bit more "expressive" during your stream without having to worry about overloading the mic’s capsule. They have a simple design with fewer internal components, which makes them more robust than condenser microphones. This, combined with their comparatively low sensitivity, mean they are excellent at rejecting background noise, like air conditioners or keyboard and mouse clicks. They are also less sensitive than condenser microphones, so will usually require more gain from a preamp to produce a strong signal and will also require you to be right up close to the mic to get the best possible sound (around 5-10cm from the diaphragm).ĭynamic mics generally have a narrow cardioid polar pattern. Unlike condenser microphones, dynamic mics generally do not have an internal preamp, so the signal they produce will need to be amplified by an external preamplifier, such as in an audio interface or mixer. As sound waves hit the diaphragm, it vibrates the coil which interacts with the magnetic field to create an electrical current.

All the good bits of the SM7B with more top-end clarity.This article will take a look at dynamic and condenser mics: how they work, the differences between them, and which one is the best for gaming or streaming.ĭynamic microphones operate by the movement of a thin diaphragm that is attached to a coil of wire suspended in a magnetic field.

Excellent news for streamers the RE20 is very forgiving of you moving closer and further away during your broadcast. The improved top-end response means that it is more sensitive to background noise than the SM7B, but it still has good noise rejection. Nevertheless, it’s another professional-grade mic that has many of the great characteristics of the Shure SM7B with the added benefit of more top-end clarity, making it sound a lot more natural. The Electro-Voice RE20 is our favorite microphone, but unfortunately, it’s also the most expensive.

Better at noise rejection (better for live streaming).

Shure SM58 | Rode PodMic | Shure SM7B | Electro-Voice RE20

Often require a pop filter (can obstruct your face).

Susceptible to picking up background noise.

NEAT Worker Bee | Audio Technica AT2020 | Rode NT1 We’ll take a moment to explain the differences if you’re not familiar with them. The microphones in this article can be broken down into two categories condenser and dynamic microphones. The Electro-Voice RE20 is our favorite microphone for live streaming, and the Shure SM58 is an indestructible workhorse. Quick Answer: The NEAT Worker Bee is highly underrated and offers excellent value, while Rode’s NT1 is our favorite condenser. We’ll also quickly look at the two types of microphones in this group and help you decide which is right for you.Īll of the microphones in this article have been around for a while, come highly recommended, have dependable distribution and service, and have a good reputation for lasting a long time. We’re comparing the 7 best microphones that we recommend pairing with the GoXLR audio mixer for live streaming.